Chicago the Musical has long been celebrated for its sultry choreography, memorable songs, and biting satire on fame and corruption. The recent production at Belfast’s Grand Opera House not only upheld this legacy but infused it with fresh energy, thanks to a stellar cast and innovative staging.
Janette Manrara, renowned from Strictly Come Dancing, made a dazzling transition to musical theatre as Roxie Hart. Her portrayal captured Roxie’s naive ambition and cunning with a vivacious charm, complemented by her impeccable dance skills. Opposite her, Djalenga Scott delivered a powerhouse performance as Velma Kelly, exuding confidence and delivering show-stopping numbers that left the audience in awe.
Kevin Clifton, also a Strictly alumnus, surprised many with his charismatic turn as Billy Flynn. His vocals were robust, and he brought a suave demeanor to the slick lawyer, making it easy to forget his ballroom roots. Joshua Lloyd’s portrayal of the endearing Amos Hart was heartfelt, bringing depth to the oft-overlooked character and earning him well-deserved empathy from the audience.
The choreography stayed true to Bob Fosse’s iconic style—sharp, sensual, and utterly mesmerizing. Each dance number was executed with precision, making it impossible to divert one’s gaze from the stage. The decision to elevate the band on stage was a masterstroke, integrating them seamlessly into the narrative and allowing the music to become a character in its own right. This setup not only highlighted the musicians’ talents but also reinforced the show’s jazz club ambiance.
This rendition of Chicago at the Grand Opera House was a testament to the timeless allure of the musical. With a cast that brought both familiarity and novelty, choreography that paid homage to its roots while feeling fresh, and staging that enhanced the overall experience, it was a production that truly deserved its standing ovations.
For those who missed it, keeping an eye on future tours is advisable. Chicago continues to captivate audiences worldwide, and this production exemplifies why it remains a cornerstone of musical theatre.
Chicago runs from Monday 17th – Saturday 22 March 2025
